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The full made-to-order catalog, sofas, dining tables, beds, stone-top case goods and outdoor pieces, each built to your dimensions, material and finish. Nothing here is mass-made; every piece is commissioned and built for your space, then delivered white-glove across Panama and the…
The Meistratzheim Accent Chair has a spare silhouette and more comfort than it advertises: a cushion of natural fibre over a sculpted base that gives exactly where you want it to. Some chairs fill a corner. This one is why you cross the room.
The Kogenheim Accent Chair is a chair for sitting in, not just for photographing. Soft upholstery over a solid wood frame in a warm tone, with curves drawn by hand before anything went to the workshop. Put it near a window. That is where it gets used.
The Vence Accent Chair lives outside all year. The frame is teak or powder-coated aluminium, so it will not rust or blister in salt air, and the seating is woven or cushioned for the elements. Hose it down at the end of the season and it is ready for the next one.
The Herbsheim Accent Chair has a spare silhouette and more comfort than it advertises: a cushion of natural fibre over a sculpted base that gives exactly where you want it to. Some chairs fill a corner. This one is why you cross the room.
The Osthouse Accent Chair reads as sculpture from across the room and works as a chair once you are in it: a seat that holds you properly, a back that takes the tension out of sitting, arms at the right height for a resting wrist. Made for people who sit down with a book and stay there.
The Gerstheim Accent Chair is upholstered in a fabric woven to be durable and soft at once, over a frame built with actual joinery. It is the piece that turns a corner of a room into somewhere you go on purpose.
The Luzarches Accent Chair carries the weight of considered making. Not heavy, but present. Its materials were chosen for the way they age, not only the way they look on day one. In a room of fast furniture, this is the piece that will still be here in twenty years. And still be beautiful.
The Ebersheim Accent Chair is a chair for sitting in, not just for photographing. Soft upholstery over a solid wood frame in a warm tone, with curves drawn by hand before anything went to the workshop. Put it near a window. That is where it gets used.
The Bootzheim Accent Chair reads as sculpture from across the room and works as a chair once you are in it: a seat that holds you properly, a back that takes the tension out of sitting, arms at the right height for a resting wrist. Made for people who sit down with a book and stay there.
The Monemvasia Accent Chair is upholstered in material that softens beautifully over years of use, developing the patina that only honest furniture earns. Its frame is turned and finished by hand. The silhouette is quiet enough to disappear into a room and substantial enough to anchor it. Designed for everyday devotion.
The Viarmes Accent Chair carries the weight of considered making. Not heavy, but present. Its materials were chosen for the way they age, not only the way they look on day one. In a room of fast furniture, this is the piece that will still be here in twenty years. And still be beautiful.
The Boran Accent Chair carries the weight of considered making. Not heavy, but present. Its materials were chosen for the way they age, not only the way they look on day one. In a room of fast furniture, this is the piece that will still be here in twenty years. And still be beautiful.
The Schwobsheim Accent Chair is a chair for sitting in, not just for photographing. Soft upholstery over a solid wood frame in a warm tone, with curves drawn by hand before anything went to the workshop. Put it near a window. That is where it gets used.
The Hilsenheim Accent Chair is upholstered in a fabric woven to be durable and soft at once, over a frame built with actual joinery. It is the piece that turns a corner of a room into somewhere you go on purpose.
The Sundhouse Accent Chair is a chair for sitting in, not just for photographing. Soft upholstery over a solid wood frame in a warm tone, with curves drawn by hand before anything went to the workshop. Put it near a window. That is where it gets used.
The Rhinau Accent Chair is a chair for sitting in, not just for photographing. Soft upholstery over a solid wood frame in a warm tone, with curves drawn by hand before anything went to the workshop. Put it near a window. That is where it gets used.
The Precy Accent Chair carries the weight of considered making. Not heavy, but present. Its materials were chosen for the way they age, not only the way they look on day one. In a room of fast furniture, this is the piece that will still be here in twenty years. And still be beautiful.
The Arezzo Accent Chair is upholstered in a fabric woven to be durable and soft at once, over a frame built with actual joinery. It is the piece that turns a corner of a room into somewhere you go on purpose.
The Lipari Accent Chair has a spare silhouette and more comfort than it advertises: a cushion of natural fibre over a sculpted base that gives exactly where you want it to. Some chairs fill a corner. This one is why you cross the room.
The Savoca Accent Chair is upholstered in material that softens beautifully over years of use, developing the patina that only honest furniture earns. Its frame is turned and finished by hand. The silhouette is quiet enough to disappear into a room and substantial enough to anchor it. Designed for everyday devotion.
The Neuf-Brisach Accent Chair reads as sculpture from across the room and works as a chair once you are in it: a seat that holds you properly, a back that takes the tension out of sitting, arms at the right height for a resting wrist. Made for people who sit down with a book and stay there.
The Ensisheim Accent Chair is upholstered in material that softens beautifully over years of use, developing the patina that only honest furniture earns. Its frame is turned and finished by hand. The silhouette is quiet enough to disappear into a room and substantial enough to anchor it. Designed for everyday devotion.
The Guebwiller Accent Chair is upholstered in material that softens beautifully over years of use, developing the patina that only honest furniture earns. Its frame is turned and finished by hand. The silhouette is quiet enough to disappear into a room and substantial enough to anchor it. Designed for everyday devotion.
The Rouffach Accent Chair has a spare silhouette and more comfort than it advertises: a cushion of natural fibre over a sculpted base that gives exactly where you want it to. Some chairs fill a corner. This one is why you cross the room.