Living Room

The Camargue Sofa is conceived for rooms that value silence as much as beauty. Its modular geometry allows for the intimate arrangement of any conversation. The upholstery, soft as chalk, develops character with light and time. An invitation extended only once, to those who recognise it.

Upholstered in a fabric that catches afternoon light like linen on a Provençal terrace, The Baux Sectional Sofa is a study in generous proportion. The seat is wide enough to forget the world, the back tall enough to hold you fully. Its silhouette speaks before you sit, and the conversation deepens once you do.

The Oisans Sectional Sofa is sculpted for the long afternoon: the kind you don't apologise for. Its upholstery has a tactile warmth that reads as restraint from across the room and luxury under your hand. A solid wood base anchors it with deliberate weight. This is furniture made for staying.

The Soleil Sofa is sculpted for the long afternoon: the kind you don't apologise for. Its upholstery has a tactile warmth that reads as restraint from across the room and luxury under your hand. A solid wood base anchors it with deliberate weight. This is furniture made for staying.

Upholstered in a fabric that catches afternoon light like linen on a Provençal terrace, The Sèvres Sectional Sofa is a study in generous proportion. The seat is wide enough to forget the world, the back tall enough to hold you fully. Its silhouette speaks before you sit, and the conversation deepens once you do.

The Pierrevert Coffee Table is spare on purpose: a surface, a base, a precise weight, hand-finished in a neutral shade that sits quietly with the rest of a room. You stop seeing it after a week. You would miss it immediately.

The Epidavros Coffee Table is finished in materials that wear in rather than wear out, and scaled for proximity: close enough to reach from where you sit, solid enough that you never think about it. A coffee table is doing its job when you stop noticing it.

The Meistratzheim Accent Chair has a spare silhouette and more comfort than it advertises: a cushion of natural fibre over a sculpted base that gives exactly where you want it to. Some chairs fill a corner. This one is why you cross the room.

The Kogenheim Accent Chair is a chair for sitting in, not just for photographing. Soft upholstery over a solid wood frame in a warm tone, with curves drawn by hand before anything went to the workshop. Put it near a window. That is where it gets used.

The Vence Accent Chair lives outside all year. The frame is teak or powder-coated aluminium, so it will not rust or blister in salt air, and the seating is woven or cushioned for the elements. Hose it down at the end of the season and it is ready for the next one.

The Herbsheim Accent Chair has a spare silhouette and more comfort than it advertises: a cushion of natural fibre over a sculpted base that gives exactly where you want it to. Some chairs fill a corner. This one is why you cross the room.

The Osthouse Accent Chair reads as sculpture from across the room and works as a chair once you are in it: a seat that holds you properly, a back that takes the tension out of sitting, arms at the right height for a resting wrist. Made for people who sit down with a book and stay there.

The Gerstheim Accent Chair is upholstered in a fabric woven to be durable and soft at once, over a frame built with actual joinery. It is the piece that turns a corner of a room into somewhere you go on purpose.

The Luzarches Accent Chair carries the weight of considered making. Not heavy, but present. Its materials were chosen for the way they age, not only the way they look on day one. In a room of fast furniture, this is the piece that will still be here in twenty years. And still be beautiful.

The Ebersheim Accent Chair is a chair for sitting in, not just for photographing. Soft upholstery over a solid wood frame in a warm tone, with curves drawn by hand before anything went to the workshop. Put it near a window. That is where it gets used.

The Bootzheim Accent Chair reads as sculpture from across the room and works as a chair once you are in it: a seat that holds you properly, a back that takes the tension out of sitting, arms at the right height for a resting wrist. Made for people who sit down with a book and stay there.

The Monemvasia Accent Chair is upholstered in material that softens beautifully over years of use, developing the patina that only honest furniture earns. Its frame is turned and finished by hand. The silhouette is quiet enough to disappear into a room and substantial enough to anchor it. Designed for everyday devotion.

The Viarmes Accent Chair carries the weight of considered making. Not heavy, but present. Its materials were chosen for the way they age, not only the way they look on day one. In a room of fast furniture, this is the piece that will still be here in twenty years. And still be beautiful.

The Boran Accent Chair carries the weight of considered making. Not heavy, but present. Its materials were chosen for the way they age, not only the way they look on day one. In a room of fast furniture, this is the piece that will still be here in twenty years. And still be beautiful.

The Schwobsheim Accent Chair is a chair for sitting in, not just for photographing. Soft upholstery over a solid wood frame in a warm tone, with curves drawn by hand before anything went to the workshop. Put it near a window. That is where it gets used.

The Hilsenheim Accent Chair is upholstered in a fabric woven to be durable and soft at once, over a frame built with actual joinery. It is the piece that turns a corner of a room into somewhere you go on purpose.

The Sundhouse Accent Chair is a chair for sitting in, not just for photographing. Soft upholstery over a solid wood frame in a warm tone, with curves drawn by hand before anything went to the workshop. Put it near a window. That is where it gets used.

The Rhinau Accent Chair is a chair for sitting in, not just for photographing. Soft upholstery over a solid wood frame in a warm tone, with curves drawn by hand before anything went to the workshop. Put it near a window. That is where it gets used.

The Precy Accent Chair carries the weight of considered making. Not heavy, but present. Its materials were chosen for the way they age, not only the way they look on day one. In a room of fast furniture, this is the piece that will still be here in twenty years. And still be beautiful.