Pre Order

The Cannes Outdoor Sofa lives outside all year. The frame is teak or powder-coated aluminium, so it will not rust or blister in salt air, and the seating is woven or cushioned for the elements. Hose it down at the end of the season and it is ready for the next one.

The La Napoule Outdoor Sofa has a woven seat over a solid frame, built for years outdoors rather than a season or two. The proportions are the same ones we use for interior pieces, which is why it does not look like garden furniture. The weave is the part people touch first. It holds up.

We build The Miramar Outdoor Sofa for terraces, gardens and pool decks, to the same proportions we use indoors. The cushions are weather-resistant and the covers come off for washing. If your outdoor space is the room you actually live in, this is furniture specified for that.

The Mandelieu Teak Outdoor Sofa Set has a woven seat over a solid frame, built for years outdoors rather than a season or two. The proportions are the same ones we use for interior pieces, which is why it does not look like garden furniture. The weave is the part people touch first. It holds up.

The Pégomas Outdoor Sofa is built for a terrace that gets real weather. The frame is Grade-A teak or marine-grade aluminium, and the cushions are Olefin, which shrugs off rain and sun without fading fast. Teak left outdoors greys to silver over a year or two unless you oil it. Plenty of people prefer it that way.

The Speracèdes Outdoor Sofa is built for a terrace that gets real weather. The frame is Grade-A teak or marine-grade aluminium, and the cushions are Olefin, which shrugs off rain and sun without fading fast. Teak left outdoors greys to silver over a year or two unless you oil it. Plenty of people prefer it that way.

The Roquefort Outdoor Sofa has a woven seat over a solid frame, built for years outdoors rather than a season or two. The proportions are the same ones we use for interior pieces, which is why it does not look like garden furniture. The weave is the part people touch first. It holds up.

The Cipières Outdoor Sofa lives outside all year. The frame is teak or powder-coated aluminium, so it will not rust or blister in salt air, and the seating is woven or cushioned for the elements. Hose it down at the end of the season and it is ready for the next one.

The Coursegoules Outdoor Sofa has a woven seat over a solid frame, built for years outdoors rather than a season or two. The proportions are the same ones we use for interior pieces, which is why it does not look like garden furniture. The weave is the part people touch first. It holds up.

The Tourettes Outdoor Sofa lives outside all year. The frame is teak or powder-coated aluminium, so it will not rust or blister in salt air, and the seating is woven or cushioned for the elements. Hose it down at the end of the season and it is ready for the next one.

A sideboard should hold what is precious without showing the effort. The Aspiran Bench does this with a quiet elegance: its surface long and level, its storage deep and well-proportioned. The material breathes with age; the brass hardware will deepen over years. Functional, yes. But also beautiful.

The Adissan Bench is a chest of drawers that understands its place in a room: present without insisting, useful without compromise. Each drawer runs smoothly on a dovetailed frame; the handles sit in the hand with the weight of considered metal. This is the furniture that outlives every other decision in a room.

A sideboard should hold what is precious without showing the effort. The Vendémian Dresser does this with a quiet elegance: its surface long and level, its storage deep and well-proportioned. The material breathes with age; the brass hardware will deepen over years. Functional, yes. But also beautiful.

The Gignac Dresser brings the discipline of European cabinet-making to the modern interior. Its doors are flush, its handles considered, its interior as carefully finished as its face. In solid wood with joinery built for decades of daily use, it is storage made worthy of display.

The Trigance Bench sits somewhere between sculpture and furniture. The top is stone, solid wood or glass depending on the version, and it takes the room's light differently at every hour of the day. The base is shaped, not decorated. It looks best with almost nothing on it.

The Artzenheim Accent Chair is upholstered in material that softens beautifully over years of use, developing the patina that only honest furniture earns. Its frame is turned and finished by hand. The silhouette is quiet enough to disappear into a room and substantial enough to anchor it. Designed for everyday devotion.

The Kunheim Accent Chair is upholstered in a fabric woven to be durable and soft at once, over a frame built with actual joinery. It is the piece that turns a corner of a room into somewhere you go on purpose.

The Aiguines Dining Table is finished in materials that wear in rather than wear out, and scaled for proximity: close enough to reach from where you sit, solid enough that you never think about it. A dining table is doing its job when you stop noticing it.

The Bauduen Dining Table is finished in materials that wear in rather than wear out, and scaled for proximity: close enough to reach from where you sit, solid enough that you never think about it. A dining table is doing its job when you stop noticing it.

The Riez Dining Table is spare on purpose: a surface, a base, a precise weight, hand-finished in a neutral shade that sits quietly with the rest of a room. You stop seeing it after a week. You would miss it immediately.

The Valensole Bar Stool sits somewhere between sculpture and furniture. The top is stone, solid wood or glass depending on the version, and it takes the room's light differently at every hour of the day. The base is shaped, not decorated. It looks best with almost nothing on it.

The Volx Counter Stool is finished in materials that wear in rather than wear out, and scaled for proximity: close enough to reach from where you sit, solid enough that you never think about it. A bar / counter stool is doing its job when you stop noticing it.

The Manosque Counter Stool is spare on purpose: a surface, a base, a precise weight, hand-finished in a neutral shade that sits quietly with the rest of a room. You stop seeing it after a week. You would miss it immediately.

The Reillanne Bar Stool has a solid top and finely proportioned legs, and the surface is meant to be used, not protected: books, glasses, the everyday. The material does the talking here. Run your hand over the top before you decide.