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The full made-to-order catalog, sofas, dining tables, beds, stone-top case goods and outdoor pieces, each built to your dimensions, material and finish. Nothing here is mass-made; every piece is commissioned and built for your space, then delivered white-glove across Panama and the…
The Mouans-Sartoux dining chair has the quality of something that was always going to be there. Its lines are clear, its weight reassuring, its upholstery (where it has it) chosen for tactile warmth above visual novelty. Pull it in, sit down, let the meal begin.
The Peymeinade dining chair has the quality of something that was always going to be there. Its lines are clear, its weight reassuring, its upholstery (where it has it) chosen for tactile warmth above visual novelty. Pull it in, sit down, let the meal begin.
The Speracedes armchair understands that an armchair is a private architecture. Its seat is generous, its arms are low and welcoming, its back offers support without constraint. Upholstered in a fabric chosen for how it feels rather than how it photographs, it holds you the way considered furniture always does.
The Cabris is an armchair for living in. Its form is resolved, its upholstery generous, its frame the work of hands that understood what they were making. Pull it to the window or beside the fire; it rewards both.
The Mons dining chair has the quality of something that was always going to be there. Its lines are clear, its weight reassuring, its upholstery (where it has it) chosen for tactile warmth above visual novelty. Pull it in, sit down, let the meal begin.
The Seillans dining chair has the quality of something that was always going to be there. Its lines are clear, its weight reassuring, its upholstery (where it has it) chosen for tactile warmth above visual novelty. Pull it in, sit down, let the meal begin.
The Fayence dining chair brings considered form to the table, literally and without apology. Its back offers support without stiffness; its seat, comfort without excess. The frame is jointed and finished by hand, the kind of chair that ages into a room rather than out of it. Made for long evenings and unhurried meals.
There is a settled quality to the Callas: the kind that comes from knowing exactly what an armchair should do and doing it without excess. Its upholstery is tactile, its frame solid, its proportions arrived at through care rather than convention. A chair for the hours that matter.
There is a settled quality to the Bargemon: the kind that comes from knowing exactly what an armchair should do and doing it without excess. Its upholstery is tactile, its frame solid, its proportions arrived at through care rather than convention. A chair for the hours that matter.
The Figanières armchair understands that an armchair is a private architecture. Its seat is generous, its arms are low and welcoming, its back offers support without constraint. Upholstered in a fabric chosen for how it feels rather than how it photographs, it holds you the way considered furniture always does.
The Le Luc dining chair brings considered form to the table, literally and without apology. Its back offers support without stiffness; its seat, comfort without excess. The frame is jointed and finished by hand, the kind of chair that ages into a room rather than out of it. Made for long evenings and unhurried meals.
The Vidauban dining chair brings considered form to the table, literally and without apology. Its back offers support without stiffness; its seat, comfort without excess. The frame is jointed and finished by hand, the kind of chair that ages into a room rather than out of it. Made for long evenings and unhurried meals.
Some chairs are designed to be noticed; the Gonfaron is designed to be used. Its silhouette is spare and resolved, its material honest: solid timber worked until the proportion feels correct. The seat is generous, the back angled just so. A dining chair for the table you intend to keep.
The Pignans dining chair brings considered form to the table, literally and without apology. Its back offers support without stiffness; its seat, comfort without excess. The frame is jointed and finished by hand, the kind of chair that ages into a room rather than out of it. Made for long evenings and unhurried meals.
Some chairs are designed to be noticed; the Carnoules is designed to be used. Its silhouette is spare and resolved, its material honest: solid timber worked until the proportion feels correct. The seat is generous, the back angled just so. A dining chair for the table you intend to keep.
The Puget-Ville dining chair has the quality of something that was always going to be there. Its lines are clear, its weight reassuring, its upholstery (where it has it) chosen for tactile warmth above visual novelty. Pull it in, sit down, let the meal begin.
Some chairs are designed to be noticed; the Cuers is designed to be used. Its silhouette is spare and resolved, its material honest: solid timber worked until the proportion feels correct. The seat is generous, the back angled just so. A dining chair for the table you intend to keep.
The Pierrefeu dining chair has the quality of something that was always going to be there. Its lines are clear, its weight reassuring, its upholstery (where it has it) chosen for tactile warmth above visual novelty. Pull it in, sit down, let the meal begin.
Some chairs are designed to be noticed; the Le Pradet is designed to be used. Its silhouette is spare and resolved, its material honest: solid timber worked until the proportion feels correct. The seat is generous, the back angled just so. A dining chair for the table you intend to keep.
Some chairs are designed to be noticed; the Tamaris is designed to be used. Its silhouette is spare and resolved, its material honest: solid timber worked until the proportion feels correct. The seat is generous, the back angled just so. A dining chair for the table you intend to keep.
The Évenos armchair understands that an armchair is a private architecture. Its seat is generous, its arms are low and welcoming, its back offers support without constraint. Upholstered in a fabric chosen for how it feels rather than how it photographs, it holds you the way considered furniture always does.
Some chairs are designed to be noticed; the Six-Fours is designed to be used. Its silhouette is spare and resolved, its material honest: solid timber worked until the proportion feels correct. The seat is generous, the back angled just so. A dining chair for the table you intend to keep.
Some chairs are designed to be noticed; the Le Castellet is designed to be used. Its silhouette is spare and resolved, its material honest: solid timber worked until the proportion feels correct. The seat is generous, the back angled just so. A dining chair for the table you intend to keep.
Some chairs are designed to be noticed; the Bandol is designed to be used. Its silhouette is spare and resolved, its material honest: solid timber worked until the proportion feels correct. The seat is generous, the back angled just so. A dining chair for the table you intend to keep.