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The Nîmes Dresser is a chest of drawers that understands its place in a room: present without insisting, useful without compromise. Each drawer runs smoothly on a dovetailed frame; the handles sit in the hand with the weight of considered metal. This is the furniture that outlives every other decision in a room.

The Lacoste Coffee Table has a solid top and finely proportioned legs, and the surface is meant to be used, not protected: books, glasses, the everyday. The material does the talking here. Run your hand over the top before you decide.

The Puy-l'Évêque Bed is designed for the private hours, for mornings that begin slowly and evenings that end in quiet. Its headboard rises with the authority of a considered silhouette, upholstered in fabric that is soft against bare skin and beautiful in low light. The frame is solid. The rest is yours to keep.

The Alberobello Dining Table sits somewhere between sculpture and furniture. The top is stone, solid wood or glass depending on the version, and it takes the room's light differently at every hour of the day. The base is shaped, not decorated. It looks best with almost nothing on it.

The Bischoffsheim Dining Chair has a spare silhouette and more comfort than it advertises: a cushion of natural fibre over a sculpted base that gives exactly where you want it to. Some chairs fill a corner. This one is why you cross the room.

The Uzès Media Console is a chest of drawers that understands its place in a room: present without insisting, useful without compromise. Each drawer runs smoothly on a dovetailed frame; the handles sit in the hand with the weight of considered metal. This is the furniture that outlives every other decision in a room.

A sideboard should hold what is precious without showing the effort. The Montpeyroux Console Table does this with a quiet elegance: its surface long and level, its storage deep and well-proportioned. The material breathes with age; the brass hardware will deepen over years. Functional, yes. But also beautiful.

A sideboard should hold what is precious without showing the effort. The Plaissan Console Table does this with a quiet elegance: its surface long and level, its storage deep and well-proportioned. The material breathes with age; the brass hardware will deepen over years. Functional, yes. But also beautiful.

The Meistratzheim Dining Chair reads as sculpture from across the room and works as a chair once you are in it: a seat that holds you properly, a back that takes the tension out of sitting, arms at the right height for a resting wrist. Made for people who sit down with a book and stay there.

The Lieuran Dresser is a chest of drawers that understands its place in a room: present without insisting, useful without compromise. Each drawer runs smoothly on a dovetailed frame; the handles sit in the hand with the weight of considered metal. This is the furniture that outlives every other decision in a room.

The Tressan Buffet brings the discipline of European cabinet-making to the modern interior. Its doors are flush, its handles considered, its interior as carefully finished as its face. In solid wood with joinery built for decades of daily use, it is storage made worthy of display.

The Péret Buffet brings the discipline of European cabinet-making to the modern interior. Its doors are flush, its handles considered, its interior as carefully finished as its face. In solid wood with joinery built for decades of daily use, it is storage made worthy of display.

The Roussillon Vanity Set is spare on purpose: a surface, a base, a precise weight, hand-finished in a neutral shade that sits quietly with the rest of a room. You stop seeing it after a week. You would miss it immediately.

The Kogenheim Dining Chair is a chair for sitting in, not just for photographing. Soft upholstery over a solid wood frame in a warm tone, with curves drawn by hand before anything went to the workshop. Put it near a window. That is where it gets used.

The Ostuni Dining Table is finished in materials that wear in rather than wear out, and scaled for proximity: close enough to reach from where you sit, solid enough that you never think about it. A dining table is doing its job when you stop noticing it.

The Heidolsheim Dining Chair has a spare silhouette and more comfort than it advertises: a cushion of natural fibre over a sculpted base that gives exactly where you want it to. Some chairs fill a corner. This one is why you cross the room.

The Apt Dining Table sits somewhere between sculpture and furniture. The top is stone, solid wood or glass depending on the version, and it takes the room's light differently at every hour of the day. The base is shaped, not decorated. It looks best with almost nothing on it.

The Grasse Outdoor Dining Chair has a woven seat over a solid frame, built for years outdoors rather than a season or two. The proportions are the same ones we use for interior pieces, which is why it does not look like garden furniture. The weave is the part people touch first. It holds up.

The Mouré Outdoor Dining Chair is built for a terrace that gets real weather. The frame is Grade-A teak or marine-grade aluminium, and the cushions are Olefin, which shrugs off rain and sun without fading fast. Teak left outdoors greys to silver over a year or two unless you oil it. Plenty of people prefer it that way.

The Cannes Outdoor Dining Chair is built for a terrace that gets real weather. The frame is Grade-A teak or marine-grade aluminium, and the cushions are Olefin, which shrugs off rain and sun without fading fast. Teak left outdoors greys to silver over a year or two unless you oil it. Plenty of people prefer it that way.

We build The La Napoule Outdoor Dining Table for terraces, gardens and pool decks, to the same proportions we use indoors. The cushions are weather-resistant and the covers come off for washing. If your outdoor space is the room you actually live in, this is furniture specified for that.

The Miramar Outdoor Dining Table has a woven seat over a solid frame, built for years outdoors rather than a season or two. The proportions are the same ones we use for interior pieces, which is why it does not look like garden furniture. The weave is the part people touch first. It holds up.

We build The Théoule Outdoor Dining Table for terraces, gardens and pool decks, to the same proportions we use indoors. The cushions are weather-resistant and the covers come off for washing. If your outdoor space is the room you actually live in, this is furniture specified for that.

The Mandelieu Outdoor Dining Chair is built for a terrace that gets real weather. The frame is Grade-A teak or marine-grade aluminium, and the cushions are Olefin, which shrugs off rain and sun without fading fast. Teak left outdoors greys to silver over a year or two unless you oil it. Plenty of people prefer it that way.