Living Room

The Arezzo Accent Chair is upholstered in a fabric woven to be durable and soft at once, over a frame built with actual joinery. It is the piece that turns a corner of a room into somewhere you go on purpose.

The Lipari Accent Chair has a spare silhouette and more comfort than it advertises: a cushion of natural fibre over a sculpted base that gives exactly where you want it to. Some chairs fill a corner. This one is why you cross the room.

The Savoca Accent Chair is upholstered in material that softens beautifully over years of use, developing the patina that only honest furniture earns. Its frame is turned and finished by hand. The silhouette is quiet enough to disappear into a room and substantial enough to anchor it. Designed for everyday devotion.

The Neuf-Brisach Accent Chair reads as sculpture from across the room and works as a chair once you are in it: a seat that holds you properly, a back that takes the tension out of sitting, arms at the right height for a resting wrist. Made for people who sit down with a book and stay there.

The Ensisheim Accent Chair is upholstered in material that softens beautifully over years of use, developing the patina that only honest furniture earns. Its frame is turned and finished by hand. The silhouette is quiet enough to disappear into a room and substantial enough to anchor it. Designed for everyday devotion.

The Guebwiller Accent Chair is upholstered in material that softens beautifully over years of use, developing the patina that only honest furniture earns. Its frame is turned and finished by hand. The silhouette is quiet enough to disappear into a room and substantial enough to anchor it. Designed for everyday devotion.

The Rouffach Accent Chair has a spare silhouette and more comfort than it advertises: a cushion of natural fibre over a sculpted base that gives exactly where you want it to. Some chairs fill a corner. This one is why you cross the room.

The Hunawihr Accent Chair has a spare silhouette and more comfort than it advertises: a cushion of natural fibre over a sculpted base that gives exactly where you want it to. Some chairs fill a corner. This one is why you cross the room.

The Sundgau Accent Chair is upholstered in material that softens beautifully over years of use, developing the patina that only honest furniture earns. Its frame is turned and finished by hand. The silhouette is quiet enough to disappear into a room and substantial enough to anchor it. Designed for everyday devotion.

The Ferrette Accent Chair is upholstered in a fabric woven to be durable and soft at once, over a frame built with actual joinery. It is the piece that turns a corner of a room into somewhere you go on purpose.

The Altkirch Accent Chair is upholstered in material that softens beautifully over years of use, developing the patina that only honest furniture earns. Its frame is turned and finished by hand. The silhouette is quiet enough to disappear into a room and substantial enough to anchor it. Designed for everyday devotion.

The Cernay Accent Chair is a chair for sitting in, not just for photographing. Soft upholstery over a solid wood frame in a warm tone, with curves drawn by hand before anything went to the workshop. Put it near a window. That is where it gets used.

The Munster Accent Chair is upholstered in material that softens beautifully over years of use, developing the patina that only honest furniture earns. Its frame is turned and finished by hand. The silhouette is quiet enough to disappear into a room and substantial enough to anchor it. Designed for everyday devotion.

The Thann Accent Chair is upholstered in a fabric woven to be durable and soft at once, over a frame built with actual joinery. It is the piece that turns a corner of a room into somewhere you go on purpose.

The Mulhouse Accent Chair has a spare silhouette and more comfort than it advertises: a cushion of natural fibre over a sculpted base that gives exactly where you want it to. Some chairs fill a corner. This one is why you cross the room.

The Kaysersberg Accent Chair reads as sculpture from across the room and works as a chair once you are in it: a seat that holds you properly, a back that takes the tension out of sitting, arms at the right height for a resting wrist. Made for people who sit down with a book and stay there.

The Sélestat Accent Chair is upholstered in a fabric woven to be durable and soft at once, over a frame built with actual joinery. It is the piece that turns a corner of a room into somewhere you go on purpose.

The Spoleto Accent Chair is a chair for sitting in, not just for photographing. Soft upholstery over a solid wood frame in a warm tone, with curves drawn by hand before anything went to the workshop. Put it near a window. That is where it gets used.

The Siena Accent Chair reads as sculpture from across the room and works as a chair once you are in it: a seat that holds you properly, a back that takes the tension out of sitting, arms at the right height for a resting wrist. Made for people who sit down with a book and stay there.

The Taormina Accent Chair reads as sculpture first and works as a chair the moment you sit: the seat holds you properly and the arms land where wrists actually rest. Made for people who sit down with a book and stay.

The Moustiers Bench is finished in materials that wear in rather than wear out, and scaled for proximity: close enough to reach from where you sit, solid enough that you never think about it. A bench is doing its job when you stop noticing it.

The Cadaqués Accent Chair is a chair for sitting in, not just for photographing. Soft upholstery over a solid wood frame in a warm tone, with curves drawn by hand before anything went to the workshop. Put it near a window. That is where it gets used.

The Entzheim Accent Chair is upholstered in a fabric woven to be durable and soft at once, over a frame built with actual joinery. It is the piece that turns a corner of a room into somewhere you go on purpose.

The Lipsheim Accent Chair has a spare silhouette and more comfort than it advertises: a cushion of natural fibre over a sculpted base that gives exactly where you want it to. Some chairs fill a corner. This one is why you cross the room.