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Where other lamps illuminate, The Lamia Floor Lamp transforms. Its base is cast in brass, carved from marble, or shaped from dark metal. It is an object of beauty before the switch is turned. The light it produces is warm and directional, shaped for reading, for conversation, for the private hour.
Where other lamps illuminate, The Amalfi Floor Lamp transforms. Its base is cast in brass, carved from marble, or shaped from dark metal. It is an object of beauty before the switch is turned. The light it produces is warm and directional, shaped for reading, for conversation, for the private hour.
The Côte d'Azur Outdoor Sofa is built for a terrace that gets real weather. The frame is Grade-A teak or marine-grade aluminium, and the cushions are Olefin, which shrugs off rain and sun without fading fast. Teak left outdoors greys to silver over a year or two unless you oil it. Plenty of people prefer it that way.
The Bar-sur-Loup Outdoor Sofa has a woven seat over a solid frame, built for years outdoors rather than a season or two. The proportions are the same ones we use for interior pieces, which is why it does not look like garden furniture. The weave is the part people touch first. It holds up.
The Forcalquier Coffee Table is finished in materials that wear in rather than wear out, and scaled for proximity: close enough to reach from where you sit, solid enough that you never think about it. A coffee table is doing its job when you stop noticing it.
The Nizas Buffet brings the discipline of European cabinet-making to the modern interior. Its doors are flush, its handles considered, its interior as carefully finished as its face. In solid wood with joinery built for decades of daily use, it is storage made worthy of display.
The Rhinau Bench is a chair for sitting in, not just for photographing. Soft upholstery over a solid wood frame in a warm tone, with curves drawn by hand before anything went to the workshop. Put it near a window. That is where it gets used.
The Marckolsheim Accent Chair is a chair for sitting in, not just for photographing. Soft upholstery over a solid wood frame in a warm tone, with curves drawn by hand before anything went to the workshop. Put it near a window. That is where it gets used.
Sleep begins before you close your eyes, in the way a bed holds the room around it. The Figeac Dining Table anchors its space with the weight of fine joinery and the warmth of natural materials. Its proportions are European: unhurried, generous, made for the long night and the slow morning that follows.
The Ferrette Dining Chair is upholstered in a fabric woven to be durable and soft at once, over a frame built with actual joinery. It is the piece that turns a corner of a room into somewhere you go on purpose.
The Sophia Outdoor Swing is built for a terrace that gets real weather. The frame is Grade-A teak or marine-grade aluminium, and the cushions are Olefin, which shrugs off rain and sun without fading fast. Teak left outdoors greys to silver over a year or two unless you oil it. Plenty of people prefer it that way.
The Lausanne Accent Chair has a spare silhouette and more comfort than it advertises: a cushion of natural fibre over a sculpted base that gives exactly where you want it to. Some chairs fill a corner. This one is why you cross the room.