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The Kogenheim Dining Chair is a chair that holds its position in any room without asserting itself. Its curves were drawn by hand and finished in materials that reward touch — soft upholstery over a frame of warm-toned solid wood. Pull it to the window. Let the light find it.
Cast in the shadow of larger pieces, a coffee table must work in silence. The Lacoste Dining Chair does so with the confidence of exceptional material — its top solid, its legs finely proportioned, its surface ready for books, vessels, and the slow accumulation of an afternoon. Rest your hand on it first.
Some chairs are designed to be noticed; the Le Castellet is designed to be used. Its silhouette is spare and resolved, its material honest — solid timber worked until the proportion feels correct. The seat is generous, the back angled just so. A dining chair for the table you intend to keep.
The Le Luc dining chair brings considered form to the table — literally and without apology. Its back offers support without stiffness; its seat, comfort without excess. The frame is jointed and finished by hand, the kind of chair that ages into a room rather than out of it. Made for long evenings and unhurried meals.
Some chairs are designed to be noticed; the Le Pradet is designed to be used. Its silhouette is spare and resolved, its material honest — solid timber worked until the proportion feels correct. The seat is generous, the back angled just so. A dining chair for the table you intend to keep.
Some chairs are designed to be noticed; the Le Rouret is designed to be used. Its silhouette is spare and resolved, its material honest — solid timber worked until the proportion feels correct. The seat is generous, the back angled just so. A dining chair for the table you intend to keep.
From the first glance, The Meistratzheim Dining Chair reads as a sculptural object. Closer, it reveals itself as comfort made rigorous — a seat that holds the body well, a back that eases tension, arms that invite a resting wrist. Made for the reader, the thinker, the one who sits and stays.
The Mons dining chair has the quality of something that was always going to be there. Its lines are clear, its weight reassuring, its upholstery — where it has it — chosen for tactile warmth above visual novelty. Pull it in, sit down, let the meal begin.
The Mouans-Sartoux dining chair has the quality of something that was always going to be there. Its lines are clear, its weight reassuring, its upholstery — where it has it — chosen for tactile warmth above visual novelty. Pull it in, sit down, let the meal begin.
The Munster Dining Chair turns a corner of any room into a destination. Upholstered in a fabric woven for resilience and softness in equal measure, it sits on a frame that speaks the language of considered craft. The proportions were not hurried. Neither should your time in it be.
The Neuf-Brisach Dining Chair is upholstered in material that softens beautifully over years of use, developing the patina that only honest furniture earns. Its frame is turned and finished by hand. The silhouette is quiet enough to disappear into a room and substantial enough to anchor it. Designed for everyday devotion.
The Niedernai Dining Chair is upholstered in material that softens beautifully over years of use, developing the patina that only honest furniture earns. Its frame is turned and finished by hand. The silhouette is quiet enough to disappear into a room and substantial enough to anchor it. Designed for everyday devotion.
Some chairs are designed to be noticed; the Ollioules is designed to be used. Its silhouette is spare and resolved, its material honest — solid timber worked until the proportion feels correct. The seat is generous, the back angled just so. A dining chair for the table you intend to keep.
The Opio dining chair has the quality of something that was always going to be there. Its lines are clear, its weight reassuring, its upholstery — where it has it — chosen for tactile warmth above visual novelty. Pull it in, sit down, let the meal begin.
The Osthouse Dining Chair turns a corner of any room into a destination. Upholstered in a fabric woven for resilience and softness in equal measure, it sits on a frame that speaks the language of considered craft. The proportions were not hurried. Neither should your time in it be.
The Peymeinade dining chair has the quality of something that was always going to be there. Its lines are clear, its weight reassuring, its upholstery — where it has it — chosen for tactile warmth above visual novelty. Pull it in, sit down, let the meal begin.
The Pierrefeu dining chair has the quality of something that was always going to be there. Its lines are clear, its weight reassuring, its upholstery — where it has it — chosen for tactile warmth above visual novelty. Pull it in, sit down, let the meal begin.
The Pignans dining chair brings considered form to the table — literally and without apology. Its back offers support without stiffness; its seat, comfort without excess. The frame is jointed and finished by hand, the kind of chair that ages into a room rather than out of it. Made for long evenings and unhurried meals.
The Puget-Ville dining chair has the quality of something that was always going to be there. Its lines are clear, its weight reassuring, its upholstery — where it has it — chosen for tactile warmth above visual novelty. Pull it in, sit down, let the meal begin.
From the first glance, The Quatzenheim Dining Chair reads as a sculptural object. Closer, it reveals itself as comfort made rigorous — a seat that holds the body well, a back that eases tension, arms that invite a resting wrist. Made for the reader, the thinker, the one who sits and stays.
The Rouffach Dining Chair is upholstered in material that softens beautifully over years of use, developing the patina that only honest furniture earns. Its frame is turned and finished by hand. The silhouette is quiet enough to disappear into a room and substantial enough to anchor it. Designed for everyday devotion.
The Saignon dining chair has the quality of something that was always going to be there. Its lines are clear, its weight reassuring, its upholstery — where it has it — chosen for tactile warmth above visual novelty. Pull it in, sit down, let the meal begin.
Some chairs ask to be admired from across the room; the Sanary asks to be sat in. Its form is spare and considered, shaped from timber that carries warmth in its grain. The upholstery offers texture before colour, weight before pattern. It is a chair that belongs in the room it was made for.
The Seillans dining chair has the quality of something that was always going to be there. Its lines are clear, its weight reassuring, its upholstery — where it has it — chosen for tactile warmth above visual novelty. Pull it in, sit down, let the meal begin.